Tag: death metal

ANTEDILUVIAN elevate & defile through “The Divine Punishment”

Sex and violence — Two foundational aspects of human nature that are as inseparable to us as the flesh we wear. No matter how we might ascend to higher planes of civility, the seeds remain,

SCUM DIVISION rises from the roiling black filth

Festering in Western Canada’s underground, the vile collective known as Scum Division conspires its next move. Volley after volley of ugly, nihilistic, non-music rages forth from this addled assembly of lunatics. Their outputs feels like

RUINOUS POWER & IOGSOTHEP slither from the depths and expose an ancient evil

It is at this moment that Covenant, in association with Les Fleurs Du Mal Productions, arrogantly unleashes the unheard of twofold plagues of RUINOUS POWER and IOGSOTHEP on to this pitiful world of mortals. Ruinous

ATRÆ BILIS achieve divine nihility in the pursuit of understanding

Sitting down with Atræ Bilis’ David Stepanavicius and Luka Govednik, one gets an undeniable feeling of synchronicity between the two. Both have a very deliberate way of speaking, and gentle manner about them that feels

GENE PALUBICKI (Angelcorpse, Perdition Temple, etc): Antichrist Victorious! Full Video Interview

Needing very little introduction, Gene Palubicki stands upon a great legacy of black/death metal supremacy. Founder of the almighty Angelcorpse, Gene has since been responsible for a constant track record of total savagery with his

BLOOD INCANTATION create a monolith to outlast time as we know it with “Hidden History Of The Human Race”

The proximity and motion of cosmic forces can be sensed in the works of human artists. The lesser brain functions of a slave species picking up wayward traces of unfathomable happenings taking place behind our

HISSING disavows catharsis to embrace suffering

Modern death metal has gone through yet another resurgence of heightened invigoration in the last few years, with a particular concentration of perpetuating and reimagining ‘old school’ elements, and to magnificent effect. When death metal

TEITANBLOOD signals absolute Armageddon with “The Baneful Choir”

A society is reflected in the artistry it yields, and thereby we are sometimes able to see its face more clearly than any government or social movement could ever encapsulate. Like a mirror into the

MEFITIS savagely ambush with a twisted, diabolic campaign on “Emberdawn”

2019 has seen massive releases and live acts of metal titans, such gods as Blut Aus Nord and the highly anticipated release of quickly medaled veterans Blood Incantation, but there are acts slipping through the

BLACK DEATH CULT has manifested the sanity destroying, psychedelic egregore “Devil’s Paradise”

How often does something take you off guard, to such a point that you aren’t even sure you like it or hate it? The very nature of the thing strays from accepted paradigms and into