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LINGUA IGNOTA fuses the sacred & profane into a tragic statement of triumph with “Caligula”

Ask the average music listener to define “heavy”. Perhaps chugging riffs, breakneck speed, grotesque and offensive lyrics gurgled through a phlegm lined throat that seems to only despise and hate? Yes, that is heavy. To those of us who live for this kind of music, it can be intoxicating, and we consume it with greater and greater ease, because we have become accustomed to this shade of heavy. However, this is only one interpretation of a word with a plethora of faces. That fact is made blatantly clear having experienced the raw horror of Lingua Ignota’s brand new full length, Caligula, which weaponizes a damaged spirit into something truly bestial. It is an unleashed heaviness rarely achieved, finally free from all boundary and constraint.

The musical shadow of Kristin Hayter, Lingua Ignota (latin for Unknown Language), defies absolute classification by genre, instead reaching far and wide through remote styles, founded on a bedrock of genuine rage borne out of Hayter’s experiences of domestic abuse in her own life. Juxtaposing the serene majesty of classical piano and orchestration with its overt antithesis in power electronics and primal chaos, a bizarre tension results, unfamiliar and incredibly dangerous.

The gentle stirring of the opener, “Faithful Servant Of Christ” serves as portents for what Caligula holds in its black heart. A symphonic assembly suddenly morphs into a brooding shadow, given life in Hayter’s ascending voice, which intones assuredly, as though from on high. All the while lingers an ominous presence, seeding discomfort and anxious anticipation for what is to come.

As the title of the song suggests, in Lingua Ignota, Kristin continues to weave her art using fragments of religious imagery and themes from Catholicism, as well as sonically channeling a canonist, sacred atmosphere in many places. While Hayter uses these topics as ways to parallel her own ideas or stand as metaphors, the nature of such a religious institution, especially in our current society, offers that perfect fusion of glorious/vile that is given life in a song like “Butcher Of The World”. Ethereal organ pipes cast golden rays in the mind’s eye, only so that those rays might illuminate the depraved bloodlust waiting close at hand in Hayter’s startling delivery of venomous shrieks. But what at first conflicts with the booming organ pipes is soon embraced, propped up in a display of holy wrath, until abaying, letting Hayter’s softer face shine through in the aftermath, becoming sublimely quiet in the wake of that earlier punishment.

It is clear that, with every track making up Caligula, Hayter is not merely gunning for a single effect. We are pulled along an emotional gauntlet in the course of every single song. Much of Caligula’s impact lies in the brilliant contradiction between form and content, specifically in the way of lyrics against their backdrop of instrumentation. For instance, “May Your Failure Be Your Noose” opens to the touch of serene piano, over which, Hayter sings, “Who will love you if I don’t? Who will fuck you if I won’t?” Thereby, what was first comforting is made crooked and displaced, like cracked glass. Vexingly, this strategy bears more weight than if the words were matched in equally dark sounds. This union of opposites has long been played to great effect in film, too. Kubrick’s, “A Clockwork Orange”, for example, sees a woman is defiled to the chorus of “Dancing In The Rain”.

Having come from a background of classical music training, that Hayter has diverged from a more conservative path and into the underground of power electronics, industrial, and overall harsh music seems to be a vital component, and in Lingua Ignota’s undeniable individuality. Hayter’s already striking compositions are elevated by her confidence and prowess as a vocalist, which explores a seemingly unfettered range. Between the barebones beauty of “Fragrant Is My Many Flowered Crown”, in which Hayter’s voice twists and leaps in the way of an acrobat, or the daemoniac hell of “Day Of Tears And Mourning”, it would seem as though several vocalists were at work.

Placed alongside the great majority of death or black metal vocal performances, Kristin wins out simply in her channeling of unbridled feeling. When she screams or wails operatically, it hurts us somewhere others don’t. When Kristin assures us that, “no shadow will darken your door like mine will”, we believe her without doubt, disturbed more than what any gratuitous gore porn spectacle could instill.

Lingua Ignota tackles much the same tone and thematic elements as swathes of extreme metal bands, though still it achieves a spectacle that few could ever achieve. Horror, rage, violence: all par for the course, but few can attest to a personal relationship with them like Kristin Hayter can. It’s her own relationship with these themes, and her grounding them in a sense of reality that allows her to penetrate to a deeper place of dread and frustration. Paired with her masterful hand as a composer, Caligula is a towering spectacle of human spirit under duress. As with All Bitches Die, before, Kristin Hayter reminds us that to be ‘heavy’ is not at all bound to tremolo picking, blast beats, and shocking stage antics, but can be harnessed by a painful vulnerability just as well.


CALIGULA the new album from LINGUA IGNOTA was released into the wild on CD/2xLP/Digital through Profound Lore Records

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VARGRAV entrance with a cold fog of mystical malice on “Reign in Supreme Darkness”

Hailing from Finland, Vargrav is the sole creation of prolific Black Metal veteran V-Khaoz. Reign In Supreme Darkness is the follow up to Vargrav’s 2018 release Netherstorm, which rightly earned high praise for its proper execution of Symphonic Black Metal. Though keyboards are often shunned by Black Metal’s inherent elitism, Vargrav have demonstrated an understanding of the mystical capabilities of the synth. Reign In Supreme Darkness is a refinement of the sound captured by Netherstorm, and a distillation of its best elements.

Ambience and bell chimes consecrate the air. We begin our journey with an ominous keyboard intro that gives us a premonition of the fantasy to come …

Beginning with a solid drum roll, “The Glory of Eternal Night” draws us in with fantastical, and epic riffs. Keyboards and guitars meld together to form a unique distortion with a mystical layer that hovers over us like a cold fog. Vocals echo through cavernous chambers; a trembling vibration of demonic tone.

“Dark Space Dominion” leads us down dark corridors of melancholy. A dynamic, charging rhythm, galloping across the astral plane.

“In Streams From The Great Mysteries” paints the sky dark with somber lead guitar melodies. The haunting layers of synth can only be described as Frozen; the earth is embraced by ice.

A powerful clash of elements, “As The Shadows Grow Silent” contains some of the most catchy, and fierce riffing of the album.

“Crowned By Demonstorms” ascends from the depths of glacial chasms to soaring altitudes where permafrost reigns. No life may grow at these heights, yet we reach out to grasp the zenith as magic ensorcells us. This track is the pinnacle of Vargrav. It leaves the listener in a state of astral projection, rising to the heights of the firmament.

“Godless Pandemonium” grips the listener with an immense atmosphere. Whip strike snare hits, and reverberating drum fills create ominous echoes, as crisp cymbals penetrate the air and ring out into the ether.

The album closes with an inspiring display of majestic summonings. At times introspective, and other times all out fist pumping; “Arcane Stargazer” is the perfect conclusion to an epic journey.

Vargrav have once again produced a truly phenomenal offering. Their sophomore album contains all the elements of melody that made early Dissection, Dimmu Borgir, and Emperor so memorable, while maintaining the grim sincerity that Black Metal requires. A spellbinding adventure to the barren tundra, Reign In Supreme Darkness is a hypothermic journey through polar night.


WEREWOLF RECORDS, in conspiracy with HELLS HEADBANGERS, is proud to present VARGRAV’s highly anticipated second album, Reign in Supreme Darkness, on CD and vinyl LP formats.

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