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Review

COVENANT Magazine’s Favourite Aural Abominations of 2019

One of the greatest things about toiling away in music is the privilege to be exposed to such a colossal amount of record releases up to the minute. A single glance at Covenant’s musical activity over the years reflects a diverse juxtaposition of genres and sounds. Our greater collective and associates are an eclectic bunch. Between the festivals and magazine, we try to keep a keen eye (and ear) on everything under the umbrellas of extreme metal and goth music of all kinds. Though the sounds vary, the essence remains the same.

It may be indulgent, but since we added a bit of value to the world of music journalism this past year, we are also contributing our voices to the surmounting lists that attempt to summarize the last 365 days in music. Our overall top 10 is an attempt to be objective, as it represents just about everything we could all agree on. Below that we asked our staff and various members of the greater collective to lend their individual voices. The results are about as wildly diverse as it gets.

Let us collectively banish the year that was 2019 by celebrating the fruits it produced, and look toward the future of greater things to come!


1 // Blood Incantation – Hidden History of the Human Race

Surprised? Of course you aren’t. For most bands, touring with Cannibal Corpse, Morbid Angel, and Immolation would not only be high points of their year, but would most likely go on to define their careers. For Blood Incantation, it will probably go down as a foot-note of their 2019, right under the part that says ‘released Hidden History Of The Human Race‘. It is that grandiose of an accomplishment, and a couple paragraphs here cannot hope to begin to encapsulate the grandeur it holds, or do it justice. It enters a rare pantheon of modern records that will be enshrined as all-time classics.

Read the FULL REVIEW

2 // Volahn – El Tigre Del Sur

If a band ever needed a strong statement to not just return to the forefront of attention, but to also crush the lies of doubters and naysayers, it was Volahn, and they have done just that with El Tigre Del Sur. The fact that it is a powerful and proud Zapatista declaration that is so passionately Mexican and anti-colonial makes it very easy to lose sight of perhaps the most important factor when observing this as a recording of music: it is their best material to date. Overflowing with beautiful melodies of blatant Latin influence that are rarely heard in metal music, it often sounds more like the score to a Sergio Leone film than it does to what we think as being “black metal”. Complete with athletic and bombastic drumming, and a brilliant ending that will be remembered for all time, El Tigre Del Sur stands triumphant against all who would attempt to besmirch his name!

3 // Ioanna Gika – Thalassa

Sometimes a record honestly comes out of nowhere and blindsides you like a wayward sucker punch. Thalassa was an unexpected game changer: A shadowy siren from a foreign land with a name that’s even hard to pronounce, crafting a genre that practically doesn’t exist. Ioanna Gika creates a stunning blend of sounds that defy absolutely any categorization. Wavey, ethereal pop that contorts into a fractal of stunning beauty. Certainly not your usual scheduled programming. Hers is a voice from another realm of existence, and the echoes that remain resound through the chamber of your very soul. Keeping up with this album is an exciting exercise, as practically no two moments sound the same. “Interesting” is a cruel understatement. “Masterpiece” is closer to the mark.

4 // Misþyrming – Algleymi

Discarding the melancholy and mystery of 2015’s Söngvar elds og óreiðu, Iceland’s most depraved return on the infamous Norma Evangelium Diaboli label with the indeed orgiastic and ecstatic Algleymi. For a band who had so quickly announced themselves on the world stage with a powerful album and performances at esteemed festivals such as Roadburn just 4 years ago, it is startling to see them kick in to an even higher gear, and return with such vitriol. The future of Misþyrming is all at once a promising and intimidating prospect!

5 // Funereal Presence – Achatius

An archaic crypt flung open earlier this year and the miasma of Funereal Presence enveloped us all once again. The solo project of Negative Plane’s batterer crafted a timeless piece of timelessness. Finally the project fiercely declared independence and boldly stepped out of the shadow. As a tandem release between two of the most clandestine forces in black metal, Sepulchral Voice Records and The Ajna Offensive, the stage was already set for something potent. The first since 2014’s The Archer Takes Aim, the next chapter Achatius dove deeper into a unique sound that manages to amalgamate everything magical about 80’s black metal. An infectious dose of marathon length songs comprising swirling, subaquatic guitar tones, echoing pounding percussion, shimmering leads, and a folkloric spectre ever looming.

Read the FULL REVIEW

6 // L’Epee – Diabolique

Fall back into a twisting, psychedelic void. A wormhole directly back to an imagined 1960’s where devilish French women sing you songs of danger, lust, and abandon. Psyche garage rock never was so delicious. L’Eppe is a combined project featuring the mastermind behind Brian Jonestown Massacre, the husband and wife juggernaut The Limiñanas, and the perfect voice of Emmanuelle Seigner (better known as Green Eyes from the film The Ninth Gate). Imagine the lush tapestry of The Velvet Underground with the indulgent pop sensibility of Serge Gainsbourg and the bouncy irreverence of the ye-ye movement. Now turn it up to a soul-rattling volume as you drive headlong into a night-cloaked desert. You have some idea of what Diabolique feels like.

7 // Drab Majesty – Modern Mirror

The aliens have landed again and this time they brought us another gift from the cosmos: A shady synth pop observation of modern decay. Whereas the universally adored The Demonstration presented delightfully infectious darkness and melancholy, the lens through which Modern Mirror gazes is one of brighter optimism. The hooks are diabolically addictive and the melodies are nearly parasitic. Deb Demure proves once again to be one of the most accomplished songwriters of our age – the arpeggios, the dense layers, the driving rhythms, the sorrowful vocals. Yet in this iteration, Mona D makes his full presence known, taking lead vocals on the album highlight “Oxytocin”. Perhaps slightly less of a heart-wrenching, life-altering affair, Modern Mirror provides a more whimsical exploration, but has launched the space invaders to another level of successful infiltration. A masterful concoction such as this proves that it doesn’t take a human mind to craft a perfect pop album.

Read the FULL REVIEW

8 // Superstition – The Anatomy of Unholy Transformation

Death metal is in a serious renaissance. Superstition is at the vanguard. With a sound that we have championed from the earliest murmurs, Superstition finally struck the essence of pure old(est) school death metal with their first full length. The Anatomy of Unholy Transformation is an endless smothering flow of forgotten ideas channeled straight from the late 80’s Floridian swamps and New York back alleys. Somewhere the disembodied brain of Mike Browning is emanating riffs and structures to a demented quartet in the deserts of New Mexico. It can be the only feasible explanation for a sound that is so wholly unique and realized while also being a perfect homage to an earlier age. So rarely have an absolutely barrage of riffs marched on the listener in all out spiritual attack formation like this. It’s well-worth the possessing enchantment!

Read the FULL REVIEW

9 // Bolzer – Lese Majesty

With the release of Bolzer’s Lese Majesty, we have seen the band through their social media outlets begin to refer to their discography in a different way. Instead of reflecting on it as a demo and two EPs that gradually paved the way for Hero, which indeed at the time did seem like the long awaited full length offering, Bolzer has began referring to each release as an album. Indeed, this may seem bizarre to many, but for a band that has such a concise, quality, and meticulously controlled output- a band that did indeed rise to notable prominence off of the strength of a 15 minute release – it provides a unique lens to look at the band’s discography. This latest release is their second longest, clocking in just under 30 minutes, and it is the the sound of a more mature Bolzer. The scathing black metal of Zeus, Seducer Of Hearts is at the forefront, the muscular death metal of Aura and Soma are omnipresent, and of course the progressive nature and booming clean vocals of ‘Hero’ are applied all at once freely and with a tactical caution. For the past 8 years, we have all witnessed a band gestate and try new ideas while all at once stay within their egregore. Now it is time to witness that band arise to their height.

10 // Camp.30 – Eyes Only

Having risen to notoriety through his work on the enigmatic PLAZA’s Shadow EP (perhaps the single best dark R&B record of all time), Camp.30 is a man unhappy with thought of resting on his laurels. While that project takes what course it might, Camp.30 has branched out and shown that he is capable of the same, if not even richer atmosphere without any vocalist. Eyes Only is rare melody after rare melody, strange harmonies aplenty, and a level of production in electronic music that we at this publication believe is unparalleled. Somewhere between that late-night Toronto r&b sound, and a deeper, more sinister and introspective dark ambient sound lies Camp.30’s magnificent Eyes Only.

Read the FULL REVIEW


COVENANT STAFF & CONTRIBUTORS

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  1. Drab Majesty – Modern Mirror
  2. Pissgrave – Posthumous Humiliation
  3. Teitanblood – The Baneful Choir
  4. Funereal Presence – Achatius
  5. Cerebral Rot – Odious Descent Into Decay
  6. Witch Vomit – Buried Deep In A Bottomless Grave
  7. Yellow Eyes – Rare Field Ceiling
  8. Departure Chandelier – Antichrist Rise To Power
  9. Devil Master – Satan Spits On Children Of Light
  10. Blood Incantation – Hidden History Of The Human Race

Colin Scott

  1. Blut Aus Nord – Hallucinogen
  2. Diocletian – Amongst the Flames of a Burning God
  3. Formless Master – First Strike
  4. Abysmal Lord – Exaltation of the Infernal Cabal
  5. Deafkids – Metaprogramação
  6. Peter Bjargo – Structures and Downfall
  7. Undeath – Sentient Autolitisys
  8. Baneblade – Oblivion Death March
  9. Mefitis – Emberdawn
  10. Bolzer – Lese Majesty

Loke Atropus

  1. Black Earth – Gnarled Ritual of Self Annihilation
  2. Aesthetic Meat Front – Essence of Rituals
  3. Trepaneringsritualen – ᛉᛦ – Algir; Eller Algir I Merkstave
  4. Teitanblood – The Baneful Choir
  5. Nordvargr – Daath
  6. Halo Manash – Unetar
  7. The Caretaker – Everywhere an Empty Bliss
  8. Ordo Rosarius Equilibrio – Let’s Play (Two Girls & a Goat)
  9. Sopor Aeternus & the Ensemble of Shadows – Death and Flamingos
  10. Rattenfanger – Geisserlieder

Ana Krunic

  1. Schammasch – Hearts of No Light
  2. Thee Oh Sees – Face Stabber
  3. Lingua Ignota – Caligula
  4. Tomb Mold – Planetary Clairvoyance
  5. Sunn O))) – Life Metal
  6. Vitriol – To Bathe from the Throat of Cowardice
  7. Yawning Man – Macedonian Lines
  8. Russian Circles – Blood Year
  9. Mgla – Age of Excuse
  10. Vastum – Orificial Purge

N.H.

  1. Consummation – The Great Solar Hunter
  2. Antichrist Siege Machine – Schism Perpetration
  3. Trench Warfare – Hatred Prayer
  4. HAR – Anti-Shechinah
  5. Deathspell Omega – The Furnaces of Palingenesia
  6. Bolzer – Lesse Majesty
  7. Ares Kingdom – By the Light of Their Destruction
  8. Kapala – Termination Apex

Jon Krieger

  1. Abigail Williams – Walk Beyond the Dark
  2. Schammasch – Hearts of no Light
  3. Mgla – Age of Excuse
  4. Misþyrming – Algeymi
  5. Feif – V
  6. Ultar – Pantheon MMXIX
  7. Zuriaake – Resentment in the ancient courtyard
  8. Aoratos – Gods Without Name
  9. Obsequiae – The Palms of Sorrowed Kings
  10. Falls of Rauros – Patterns in Mythology

Shawn Hache
(Mitochondrion, Auroch, Night Profound)

  1. Rome – Le Ceneri di Heliodoro
  2. Funereal Presence – Achatius
  3. Chthonic Deity – Reassembled in Pain
  4. Ioanna Gika – Thalassa
  5. Blood Incantation – Hidden History of the Human Race
  6. Dreams of the Drowned – S/T
  7. Warmoon Lord – Burning Banners of the Funereal War
  8. L’Epee – Diabolique
  9. Fetid – Steeping Corporeal Mess
  10. Ateiggar – Us d‘r Höll chunnt nume Zyt

Sebastian Montesi
(Mitochondrion, Auroch)

  1. Volahn – El Tigre Del Sur
  2. Blood Incantation – Hidden History Of The Human Race
  3. Ioanna Gika – Thalassa
  4. Camp.30 – Eyes Only
  5. Bölzer – Lese Majesty
  6. Freddie Joachim – Beyond The Sea Of Trees
  7. Misþyrming – Algleymi
  8. Deiphago – I, The Devil
  9. Nile – Vile Nilotic Rites
  10. Totaled – Lament

Zack Chandler
(Auroch)

  1. Witch Vomit – Buried Deep In a Bottomless Grave
  2. Nails – I Dont Want To Know You
  3. Downswing – Frequency
  4. Boy Harsher – Careful
  5. Aphex Twin – Peel Session 2
  6. Suffering Hour – Dwell
  7. Drab Majesty – Modern Mirror
  8. VR Sex – Horseplay/Human Traffic Jam
  9. Mgła – Age of Excuse
  10. Morrissey – California Son

Ian Campbell
(Crooked Mouth)

  1. Drab Majesty – Modern Mirror
  2. Lankum – The Livelong Day
  3. By the Spirits – Visions
  4. Destroying Angel – Making Beds in a Burning House
  5. L’Acephale – S/T
  6. Kinit Her- Fire Returns to Heaven
  7. VR Sex – Human Traffic Jam
  8. Witch Bottle – Forest Spell

Xavier Berthiaume
(Gevurah)

  1. Drastus – La Croix de Sang
  2. Blut Aus Nord – Hallucinogen
  3. Teitanblood – The Baneful Choir
  4. Deathspell Omega – The Furnaces of Palingenesia
  5. Mayhem – Daemon
  6. Vargrav – Reign in Supreme Darkness
  7. Departure Chandelier – Antichrist Rise to Power
  8. Krypts – Cadaver Circulation
  9. Blue Hummingbird on the Left – Atl Tlachinolli
  10. Mgla – Age of Excuse
Categories
Covenant Records Premiere

SATURN’S CROSS EP ‘Possession’ unleashed now on Covenant Records – Listen to the full stream

Covenant Records is proud to debut the digital release of Saturn’s Cross EP Possession (CVNNT007). Written and recorded across the winter and spring of this year, the EP represents an enormous step-up in songwriting and production quality from the Vancouver-based musician.

As was the case with 2018’s This Is Going To End In Blood (also available digitally through Covenant Records), all visuals were produced by visionary photographer and film-maker artist Max Montesi, and an intense master was given to the songs by infamous Toronto-based producer and musician Camp.30.

Possession is not easy to penetrate. It takes an honest, galvanizing look at our inescapable flaws and faults in enormous wrong-doing. Drawing as much from a retro 80’s sound as a modern R&B sound, and combining it with intense industrial and ambient elements, Possession is sure to sound unlike anything else you’ll hear this year.


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Categories
Premiere

SATURN’S CROSS returns with lo-fi, noir video for “It Has Begun Again”

Covenant inner-circle dark synth act Saturn’s Cross returns after months of silence with a video for the opening track of 2018’s This Is Going To End In Blood. 

Directed by Max Montesi, the flickering, dark video clip features an extension of the shadowy deals, devious encounters, and urban decay that haunt the Saturn’s Cross egregore. A frightening aura of something undoubtedly malign, but hiding in plain sight. Perhaps even alluring …

Released in October with no warning or indication if its coming, This Is Going To End In Blood blends a 80’s synth sensibility with a strong futuristic darkwave feel, enhanced with a contemporary dark R&B production style. The album is available on Saturn’s Cross bandcamp or digitally through Covenant Records.


Directed, edited, and produced by Max Montesi. Staring: Chelsea Black, Culain, and Saturn’s Cross

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Categories
Review

CAMP.30 leads the way down roads less travels on his Self-Titled album

Not two months since the release of his highly anticipated debut album – which we had the honour to present in fullCamp.30 (nee Michael Abercrombie) returns with another collection of surreal, outre, and altogether other-worldly songs. While the first collection, Eyes Only, was distinctly slotted in the dark R&B genre, albeit entirely instrumental, his self-titled psalter of utterly bizarre pieces, is distinctly more formless and experimental.

The trademark Camp.30 ethereal voices wade in and out of the background, and his ever-intricate drum patterns snip away with infectious capability, but there is something plainly different in the atmospheres being presented here. The heart-broken and always cocky Toronto sound that was present on his first full length, and all through his work with PLAZA, hasn’t necessarily been discarded, but clearly placed to the side in favour of something vastly grander.

The opening composition, “Lord Knows”, demonstrates that Abercrombie is an artist at the peak of his abilities. Presenting a stoic and determined sound, open cymbals chime away in a victorious manner that at times hearken back to when hip-hop artists used to perform with live drummers. Bleak synths enter and leave with fascinating melody lines and the straight-faced affair ends all too soon. It is immediately apparent to any and all remotely familiar with his work that this is going to be a unique experience.

When the second song “Doctor What” kicks in, we’re digested deeper into this void, and all expectation of norms should be immediately thrown out. Maniacal laughter calls out from the dark and immediately horrific harmonies, not unlike the work of Claudio Simmonetti, overwhelm the listener. Backed with a classic and slightly distorted bass, this is an effortless blend of what the subconscious expects from this music, and sheer innovation.

After a cut-throat start, the album shifts in to a meticulously chosen and contemplative cruise control. The darkness is omnipresent, but the bombast of the opening salvo is replaced with an ice-cold passage in the dark. Through “M5s”, “Down Again”, and “Grand Stand”, we see a clinical demonstration of Camp.30’s grasp of not just this genre, but too the dark ambient genre. Fantastic and constantly shifting drum production is supported by a soaking wet, under-lying ambience complete with choirs of ghosts, barely audible pads that enrich the songs on several levels, and add a level of care to a genre that sadly often exists for mass production.

Through all of this, there is never the sense of abandonment that is often felt when an artist explores new territory. At its heart it’s still distinctly Camp.30. However, when “SEQ (Interlude)” hits, something happens. Less like the Toronto sound, electronic sound, 40, Ill Angelo, or anything even slightly related to dark R&B, and more closely resembling a Philip Glass synthesizer, it is a brilliant piece that is fully outside of, and alien to, anything the man has released before as Camp.30, and more like his work with North Atlantic Drift (though distinctly quicker in pace). It is a fascinating and poignant piece, that all at once shows why Camp.30 is a pioneering Canadian artist, and shows why much of his music might never cross that thin line to true stardom – it is simply too smart and detailed for mass consumption.

And, as though ripped from a dream, we return to the extra-terrestrial horror of the album’s opening on “Northern Lights”. A demented flute line bums out the top melody of the album, with a hypnotizing, snake-charming sound.

Camp.30 is showcased at his best here, with a total fearlessness to experiment, switch tempos, change rhythms, swap atmospheres mid-song feature weird instruments, and quite plainly do whatever the fuck he wants. Whether he’s being irresistibly catchy, or questionably weird, it’s never forced. The natural flow of the album and its denizens is simply remarkable.

If Eyes Only was a calm first-date where he was afraid to reveal just how strange he really was, on this self-titled disc, you’ve been invited back to his house, and you are shocked at the amount of human bones, incense, taxidermy animals, and chandeliers everywhere.

Obviously you’ll be coming back.